Abstract, Oil on Unstretched Canvas, c. 2000.
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Abstract, Oil on Unstretched Canvas, c. 2000.
Beach Group, Black & White Photograph, Photographer Unknown, c. 2000.
Guitar,Chalk Pastel and Acrylic on Paper, Donation to the Program Manager of Potential Place Mr. John Mungham, circa 2005.
Normal, Model for Photograph, Photographer: Professor Leesa Streifler, circa 2000.
Abstract, Oil on Unstretched Canvas, Sold in Stone's Throw Coffee Shop,circa 2000.
Papa bear finds the meaning of life, Acrylic on Masonite Panel, 2014
I will let you gather what this one is about.
Guns Trade, Acrylic on Masonite Panel, 2009
I watched the movie Lord of War and was shocked about the "morals" on all sides in the arms trade.
Mad About Art, Acrylic on Paper, 2014
It is funny MI and Art go together like PB & J.
Violet Roots, Acrylic on Paper, 2014
Someday I would like to visit Jamaica, Costa Rica, and Honduras.
Grows, Acrylic on Paper, 2014
Happily ever after?
One Door Full Oneness Won, Ink on Paper, 2014
This piece is about animal symbols and their imbued meaning.
Friend or Lunch, Acrylic on Paper, 2014
Does the Raven eat the snail or simply observe.
Handout, Acrylic on Paper, 2014
This piece is about entitlement and renumeration.
Abstract, Acrylic on Masonite Panel, 2014
Another abstract.
The Crazier, the Better, Pencil on Paper, 2014
There is an enigma to artists who struggle with mi like William Blake, Vincent Van Gogh, Jim Morrison, L.M. Montgomery, etc...
Black Diamond Taeguki, Acrylic on Masonite Panel, 2005.
Green and yellow are the colours of the Saskatchewan Provincial Flag, and the YinYang symbol is an important part of the original Taeguki design.
Abstract, Mixed Media on Stretched Paper, 2001.
I did this piece with artist Jason Hipfner and we took turns expressing ourselves.
Abstract, Acrylic on Canvas, 2009.
Another abstract.
Saskatchewan Yellowcake, Acrylic on Paper, 2001.
I did this piece to bring attention to the Uranium industry in Saskatchewan and how controversial it is.
Night into Day, Oil on Unstretched Canvas, circa 2001.
Valley life.
Abstract, Acrylic on Canvas, 2001.
Another abstract.
Black and White, Acrylic on Paper, 2004.
Interesting use of silouettes, inversion and scale.
Pink Horse, Acrylic on Canvas, 2007.
I did this piece in the hospital, someone had started a painting but never finished (passing away), so I improvised and finished it by painting a pink horse.
Aurora's Footprint, Grape Juice on Paper, 2004.
Grapes and wine play a significant role in Western tradition. And footprints are like our traces left on the earth. A precious capture of a fleeting point of time.
The Bottle Couple, Pencil on Paper, 2005.
This piece is about alcohol and relationships.
Chicken Head, Lithograph Print, 2001.
My basketball coach in highschool would call us "chickenheads" if we didn't perform well. I always thought it was a strange thing to say.
Abstract, Acrylic on Masonite, 2006.
Another grid-based abstract.
Male Nude, Pencil on Paper, 2001.
This is a drawing I did while I studied under Tim Nowlin, a really cool guy and great artist.
Nolan and Mina, Acrylic on Canvas, 2003.
These are 2 of my friends I painted.
More Than Words, Ink and Pencil on Paper, 2004.
This piece is about feelings and mi.
Musique, Acrylic and Pencil on Paper, c. 2001.
This piece is about music and how it can inspire ideas.
Order, Poster Colours on Paper, 2007.
The spectrum of colours is an interesting thing.
A Father's Exit, Pencil on Paper, 2002.
I did this piece after a friend's father commited suicide. It was a sad day.
Plant in Mason Jaw, Pastel on Paper, 2000.
This is a colourful still-life.
Kids Playing 4 Nintendo DSes connected, Photograph, 2009.
Youth utilizing technology is an interesting thing.
Self at 30, Ink on Paper, 2007.
This is a piece I did to reflect on turning 30.
Self With Art, Black and White Photograph, 2001.
This is a photograph of me with my art hanging at the Stone's Throw Coffee House in Regina.
Wall, Acrylic on Paper, 1998.
This is one of my first pieces of studio art that I did in Saskatoon.
Coming Unglued, Collage, 2015.
The idea that things are held together by a cohesive "binder" is interesting, and that by penetrating illusions we can dissipate this.
Idea Thief (early), Ink on Paper, circa 1999.
Shout out to Burkina Faso, Burma, the Ivory Coast, Bulgaria, Bolivia, and Papua New Guinea.
Late Sign, Acrylic and Ink on Paper, 2002.
Mi and the "theatre" of life.
Horror Vacui, One of a Series, BFA Graduation Exhibition, Acrylic and Spray Glue on Canvas, 2001.
Fear of an empty space is what drives the Capitalist Agenda.
Hanada (gut feeling), Ink on paper, circa 2005.
This piece encompasses a sentiment I was feeling about the struggle to survive.
24, Acrylic, Tape and Ink on Masonite, circa 2004.
This piece is about the Oriental fascination with divinity.
What is Love (sketch), Pencil on Paper, circa 2003.
A collaboration with Dr. Sung Myung Sook - "what is love?".
What is Love, Acrylic on Canvas, circa 2003.
A collaboration with Dr. Sung Myung Sook, this piece is an abstract with the inquiring minds set to the idea of "what is love?".
park, Art Table during Festival in the Park, Photographer Unknown, circa 2002.
Smoking a Cuban cigar.
Eccentric, Acrylic on Paper, circa 2005.
Good faith sometimes makes decision making an esoteric affair.